Their first band, Born in the Flood, attracted some major-label interest, but the pair had moved on by then, gravitating from heavy rock toward a folksier sound. In 1998 Pope and Rateliff moved to Denver where they worked nightshifts at a bottle factory and a trucking company while testing out their songs at open-mic nights. “Music was what we thought would save us.” “We would walk around these deserted country roads and talk about music all the time, how it can change the world and how it could change our world,” recalls Night Sweats bassist Joseph Pope III. Music became an obsession for him and his friends. Growing up in Hermann, Missouri, a small town with a booming tourism industry as well as a rampant meth epidemic, he started his music career playing in his family’s band at church, but that came to a tragic end when his father was killed in a car accident. Like his heroes, Rateliff has always been an omnivorous listener and player. “The future of this band is to take everything we’ve ever done in the past and just do it with our own little twist,” says Rateliff. There are familiar elements of soul and garage rock, but also jazz and folk and even country: the crackling energy on opener “Shoe Boot,” the cathartic sing-along of “Coolin’ Out,” the melancholy folk of the closing title track. These songs are grounded in old-school soul and r&b but are far too urgent for the retro or revivalist tag. The result is the aptly titled Tearing at the Seams, a vivacious and inventive full-band record, with significant contributions from all eight members of The Night Sweats. In other words, the Missouri-bred, Denver-based frontman wanted to make the band disappear along with him-out in the middle of the desert at first, and then deep in the woods. I wanted the guys to feel like they were giving something to the project beyond just playing.” But for this new record, I felt like we’d all spent so much time on the road that we should all go off somewhere together. “For the first Night Sweats record, I demo’ed everything up and created most of the parts. Visit the band’s website for tickets and a full list of dates.”For a long time I always had to go off on my own,” says Nathaniel Rateliff of his creative process. After that, they mount a two-night run at Denver’s Mission Ballroom with Preservation Hall Jazz Band (12/16–17). The band’s next show is set for December 3rd as part of Vail Snow Days in Colorado. Watch Nathaniel Rateliff & The Night Sweats perform on CBS This Morning’s Saturday Sessions. Related: Sturgill Simpson, Emmylou Harris, Jason Isbell, More Cover John Prine For ‘Broken Hearts & Dirty Windows’ The retro rocker ends the set on a high note, with the toe-tapping message on the dos and don’ts of love resonating through the screen as Rateliff works himself into a frenzy. Finally, Nathaniel Rateliff & The Night Sweats polished off their Saturday Session with “Love Don’t”. The slow-burning vintage soul number sees Nathaniel Rateliff run the gamut of emotions as he gets up from a crawl and ultimately works himself into a roar for the song’s crescendo. Stepping away from the keys, Rateliff stalks the stage as he gets to do his frontman thing. Performing from an empty theater, the band is cloaked in simple sparing lights as Rateliff steps to the piano for “Face Down In The Moment”. Rateliff’s pensive quietness that opens the song soon gives way to his fierce delivery of the titular refrain, as he gets more confidence with each strum of his guitar. The group performed a trio of selections from its new album, The Future, out now.įirst up was the album’s breakout single, “Survivor”. Nathaniel Rateliff & The Night Sweats appeared as the musical guests on this week’s CBS This Morning’s Saturday Sessions.
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